studio
oil on canvas, x x x (cm)
pigments, oil, brushes
January 2021 till December 2022. The topic is the more or less the well know Duga radar station next to Tschernobyl. The radar was the very first over the horizon radar of mankind and was used primary while the cold war. With such technics it was possible to manipulate upper atmospheres of the earth. It gave rise to conspiracies and conspiriacy theories surround this radar and other similar military research stations.
This topic was point of interesst and research since some more years. The painting process started spontaneousley in January 2021. After it was hard to find an ending point, the process stoped in December 2022.
Duga
Duga, detail view
Duga, detail view
Duga, detail view
Duga, detail view
Duga, detail view
Duga, detail view
Duga, studio view of early state
Duga, view on how it started, Jan-2021
academy
From the seminar woodcut xxl led by Juana Anzellini & Prof. Oliver Kossack in 2022 at Academy of Fine Arts Leipzig
woodcut, 120 x 150 (cm)
on paper, 130 x 180 (cm), series of 3
on canvas, 130 x 180 (cm), series of 2
mdf, cutting tools
Performatively developed phrases. Dualities related to the western society's discourses of the earliest past. George Orwell's 1984 as a model to express.
"The large format calls for a collective work dynamic and multi-bodied movement. The motifs were cut into MDF panels in the format 120cm x 150cm and printed as part of a group action at the end of June. The images evolve from the concept, which reflects the world in the present time in its drama. The large-format images are created using a 2.5-ton tandem roller. The street becomes a printing workshop and the steamroller a printing press." – Oliver Kossack
The woodcut xxl seminar was Oliver Kossack's last project during his professorship at Leipzig's art academy. It was a continuation of his regular seminar Artist's Proof were we basically discussed ideas around printmaking. woddcut xxl was a cooperation with Juana Anzellini. She brought in input from Columbian printmaking as well as independent, non-institutional and public workshop organization. Oliver Kossacks proposal for the semester's topic was something between 'apocalypse' and 'end of world'.
As the motifs were very large and the academy's printing presses were too small, we had to print them using a road cunstruction roller. Oliver Kossack himself was the pilot. The seminar participants supported each other in all individual steps of the entire printing process.
Deep Black Humor
Deep Black Humor; woodcut xxl, seminar scene; photo source: Juana Anzellini
Deep Black Humor; woodcut xxl, public printing process, day 2
Deep Black Humor; woodcut xxl, public printing process, day 2
Deep Black Humor, detail view
Deep Black Humor, detail view
Deep Black Humor, detail view
Deep Black Humor, detail view
Deep Black Humor, detail view
Deep Black Humor, detail view
studio
woodcut, x x x (cm)
on various paper, various size
wood, cutting tools
Paroles for a bright future – (anti)parole 1
Paroles for a bright future – (anti)parole 1, print on news paper, detail view
Paroles for a bright future – (anti)parole 1, early version with spelling errors, print on silk paper
studio
woodcut, x x x (cm)
on various paper, various size
wood, cutting tools
Paroles for a bright future – (anti)parole 2
Paroles for a bright future – (anti)parole 2, detail view
Paroles for a bright future – (anti)parole 2, print on silk paper
studio
woodcut, x x x (cm)
on various paper, various size
wood, cutting tools
Paroles for a bright future – (anti)parole 3
Paroles for a bright future – (anti)parole 3, print on magazine page
Paroles for a bright future – (anti)parole 3, print on magazine page, detail view
Paroles for a bright future – (anti)parole 3, print on news paper, detail view
studio
woodcut, x x x (cm)
on various paper, various size
wood, cutting tools
Paroles for a bright future – (anti)parole 4
Paroles for a bright future – (anti)parole 4
Paroles for a bright future – (anti)parole 4, detail view
studio
woodcut, x x x (cm)
on various paper, various size
wood, cutting tools
Paroles for a bright future – (anti)parole 5
Paroles for a bright future – (anti)parole 5, print on magazine page, detail view
Paroles for a bright future – (anti)parole 5, detail view
studio
woodcut, x x x (cm)
on various paper, various size
wood, cutting tools
Paroles for a bright future – (anti)parole 6
Paroles for a bright future – (anti)parole 6, print of early version
Paroles for a bright future – (anti)parole 6, detail view
Paroles for a bright future – (anti)parole 6, print on magazin page
Paroles for a bright future – (anti)parole 6, print on news paper
studio
woodcut, x x x (cm)
on various paper, various size
wood, cutting tools
Paroles for a bright future – (anti)parole 7
Paroles for a bright future – (anti)parole 7, detail view
studio
woodcut, x x x (cm)
on various paper, various size
wood, cutting tools
Paroles for a bright future – (anti)parole 8
Paroles for a bright future – (anti)parole 8, detail view
studio
woodcut, x x x (cm)
on various paper, various size
wood, cutting tools
Paroles for a bright future – (anti)parole 9
Paroles for a bright future – (anti)parole 9, detail view
Paroles for a bright future – (anti)parole 9, detail view
studio
woodcut, x x x (cm)
on various paper, various size
wood, cutting tools
Paroles for a bright future – (anti)parole 10, early version with spelling errors
studio
woodcut, x x x (cm)
on various paper, various size
wood, cutting tools
Paroles for a bright future – (anti)parole 11
Paroles for a bright future – (anti)parole 11, deatail view
Paroles for a bright future – (anti)parole 11, deatail view
studio
woodcut, x x x (cm)
on various paper, various size
wood, cutting tools
Paroles for a bright future – (anti)parole 12
Paroles for a bright future – (anti)parole 12, deatail view
studio
woodcut, x x x (cm)
on various paper, various size
wood, cutting tools
Paroles for a bright future – (anti)parole 13, early version with spelling errors
slug gallery
performed at slug gallery winter closing
audio performance, photo, digital graphic
laptop, Yoshimi software synthesizer, wires, mixer, speakers, fabrics, light, fog
A record made out of materials collected while a live performance at slug gallery, Leipzig.
chats en colere, performance audio record
chats en colere, audio record cover
chats en colere, view on live performance
chats en colere, performance, starting moment
plast art space
performed at plast art space
audio performance, photo, digital graphic
laptop, Yoshimi software synthesizer, webcam, vlc software, wires, mixer, speakers, latex, light
A record of Estelle Quarino under the psydonym Equa in dou with Felix Almes under the psydonym fffff, made out of materials colected while a live performance at plast art space, Leipzig.
Lublax, audio record
Lublax, audio record cover
chats en colere, view on live performance
Lublax, view on live performance
Lublax, view on live performance
studio
audio performance, photo, digital graphic
Yoshimi softsynth, clarinet and microphone with variouse materials.
Improvised session with Goshua Goodman and his clarinet.
What mood remains with start of a new week? After the last days were cold, dark and short the remaining energy is low and exhausted. With its very last power reserves a guy moves his body to the lighthouse and climbs to the top. The only task he feels to do: holding the light.
With its signal light now, the lighthouse guy's wants to guide you smooth on your journey to the next harbour
Lighthouse Guy, cover
Lighthouse Guy
studio
audio performance, photo, drawing, digital graphic
Yoshimi softsynth, clarinet and microphone with variouse materials.
Improvised session with Goshua Goodman and his clarinet.
Entering Andy's war holes, cover
Entering Andy's war holes, Track 1 | 02:52 – Intro / a first technical check up
Entering Andy's war holes, Track 2 | 07:03 – 1st try-out
Entering Andy's war holes, Track 3 | 04:16 – 2nd try-out
Entering Andy's war holes, Track 4 | 30:39 – 1st session
studio
audio performance
-
A concert at Galle /AmGalgenberg in Halle/Saale with a spontaneousley formed 'band'. Joshua Goodman & Franziska Vallentin collaborated each with an other sound artist. So that we were 5 people on stage.
Andy's war holes, live at Galle, Halle/Saale | 57:37
Andy's war holes, stage, detail view
Andy's war holes, stage
Andy's war holes, costume, detail view